Wherever you're speaking, we put a two-camera crew in the room and turn your talk into 60 days of content, ready to post. Anywhere in North America, on as little as 48 hours' notice. Back to you in 10 business days.
Real reactions, in their own words.
Individual experiences shown here may not be typical. Results depend on the talk, the room, and the speaker. Quotes are unedited and used with permission.
The left one is what the venue sends you. The right one is what we send you. You look like the speaker you already are.
Updated: 8th of September, 2026
Dear speaker,
Let's be honest.
You've asked an organizer for "the video" before.
Maybe you got a "that's not really ours to give." More likely you got nothing at all, because that organizer had video from three different AV teams and a hundred other jobs, and finding one video for one speaker sat at the bottom of the pile until a month went by.
When it did land, it was one camera at the back of the room. Room sound. A small you, somewhere near the podium.
You never posted it. You never will.
So you've tried the other ways. A phone on a tripod. A friend with a camera. The AV guy who said he'd send something.
Same ending every time: files you can't use.
And the proper way? Find a videographer in a city you don't live in. Judge a portfolio when you've never hired one before. Brief them on gear you don't know the names of. Chase them for the files. All in the same week you're rehearsing your talk.
Nobody does that. You have a talk to give.
And look. This was never really about video anyway.
It's about the event planner who asks "can I see you speak?" and you finally having a real answer.
It's about being on more stages, in front of more of the people you're trying to reach.
It's about having something to post between gigs that isn't you talking to your phone in a parked car.
One properly filmed talk feeds all three. And you're already giving the talk.
Here's the thing: this keeps happening for a reason. And the reason is not you.
The video belongs to the organizer. The AV crew is keeping an archive of the room, on whatever gear keeps a record. To them it's a filing cabinet. To you it's marketing material. Those are two different products.
No event is required to send you video. Speakers who write it into the contract find out it isn't really enforceable. How do you force someone to send you a file?
A few events hire great crews and make you look world-class. Most run an old camera at the back for a 540p archive. Same talk, same you, wildly different result.
Everything else in your business can be fixed later. Your site, your pricing, your one-sheet. The talk happens once. Nobody can go back and film it.
Which is why the best speakers stopped waiting and started controlling the recording themselves. Only the speaker records for the speaker.
Three jobs. Most people do one of them. Nobody does all three.
We source, vet, and brief a two-camera crew at your event, anywhere in North America. We clear the filming with your organizer. You coordinate nothing.
Colour-graded full talk, a promo video, and social clips. The raw video is always included and it's yours permanently. No vendor holding your material hostage.
Every asset arrives ready to publish. Thumbnails, optimized titles and descriptions, caption files, written post copy for YouTube and LinkedIn, and a plan telling you what goes where.
Create is the part nobody does. Videographers film and hand you files. Editors cut video you already have. Content agencies send you scripts and tell you to film yourself. The third layer is what decides whether the video ever actually gets seen.
One offer, two rates. The only difference is how long we're on site.
The promo is noticeably better with B-roll. If the video matters more than the price, take this one.
Everything lands within 10 business days. Clip count depends on the talk: we commit to a minimum of 5 and typically deliver 10. Travel is billed separately at cost and quoted before you commit.
That's the whole thing. One call to scope your event, then we handle the rest. No agency layers. No mood boards.
For one talk to become video you'd actually use. Here's who does what.
| The event's AV team | A local videographer you hire | Capture, Cut, Create | |
|---|---|---|---|
| Camera access cleared with the organizer | N/A | You do it | We do it |
| An operator sourced in that city | N/A | You find them | We find them |
| Their work vetted before they're hired | N/A | You judge it | We judge it |
| Briefed to a written technical standard | No | No | Yes |
| That standard signed before the shoot | No | No | Yes |
| Pre-event call to confirm the setup | No | Sometimes | Yes |
| The event's AV team | A local videographer you hire | Capture, Cut, Create | |
|---|---|---|---|
| Two cameras: locked wide plus operated tight | Sometimes | Depends who you get | Always |
| Lapel audio recorded to camera, not house sound | Rarely | Depends who you get | Always |
| Exposure and white balance locked and matched | Sometimes | Depends who you get | Always |
| Camera A rolling continuously, never stopped | Sometimes | Depends who you get | Always |
| B-roll: room, audience, handshakes, arrival | No | If you ask and pay | Full day |
| Audience testimonials captured | No | Rarely offered | Full day |
| The event's AV team | A local videographer you hire | Capture, Cut, Create | |
|---|---|---|---|
| Video checked the day it lands | No | No | Yes |
| You actually receive the video | Maybe, eventually | Yes | Yes, in 10 business days |
| Colour-graded full talk | No | Sometimes, extra | Yes |
| Promo video | No | Extra | Yes |
| 5 to 10 social clips | No | Extra | Yes |
| Raw video files, yours permanently | Almost never | Sometimes | Always |
| Thumbnails | No | No | Yes |
| Optimized titles and descriptions | No | No | Yes |
| Caption files | No | No | Yes |
| Written post copy for YouTube and LinkedIn | No | No | Yes |
| Deployment strategy: what goes where | No | No | Yes |
| Unlimited re-cuts for 30 days | No | No | Yes |
| Full money-back guarantee | No | No | Yes |
The event's crew is contracted to do about two of these, for the event's own purposes. A videographer you hire yourself does maybe five, and which five is a lottery. We do all twenty-five. The price is the difference between those numbers, not a markup on camera work.
"This is the most efficient process I've ever been a part of in content creation. It took the uncertainty, worry, and angst out."
"I'd have to find a videographer, find an editor, find a project manager. No. I don't have time. It's a one-stop shop. It's a do-it-for-you service."
"He actually listened to all this stuff. It saved me so many hours of time."
"Other companies were moving me through so they could get to the next customer. That is not true here."
Fifteen minutes. We'll confirm we can cover your city on your date, and quote you before you commit.
A colour-graded video of your full talk. A promo video for your speaker page or YouTube. Five to ten vertical clips sized for LinkedIn, Instagram, and YouTube Shorts. All the raw video files, yours permanently.
Then the part nobody else does: thumbnails, optimized titles and descriptions, caption files, written post copy for YouTube and LinkedIn, and a plan telling you exactly what goes where.
Roughly 60 days of content from one talk you were already giving.
If you have a talk on the calendar and speaking is how you grow your business or your personal brand, yes. You don't have to be a full-time keynoter.
The one real requirement is a booked event. Video is the only marketing asset you can't create after the fact.
Anywhere in North America on as little as 48 hours' notice.
A rush rate may apply on short notice, and we'll tell you the number before you commit. We never hide it.
Published and fixed. Camera A is a locked-off wide at the back of the room in 4K, rolling continuously, with your lapel audio recorded straight into it. Camera B is operated and tight, at a matched frame rate. Exposure and white balance set and locked before you start, matched between both cameras.
Every videographer signs the brief before the shoot, confirming in writing that they understand every requirement in it. You're welcome to hold us to it.
Sometimes. I'll need to see a sample first.
Here's the honest version: a venue recording is usually one locked camera at the back with house audio and no lapel. One camera means there's no second angle to cut to, so a promo is physically impossible. House audio is the room's PA plus echo, and echo can't be removed after the fact. I can grade it and make it look better. I can't make it something planners lean in for.
Send it over. If it's good enough to work with, I'll tell you. If it isn't, I'll tell you that too.
$1,450 for a half day. Three hours on site, two-camera shoot, then the graded full talk, promo video, five to ten clips, raw video files, and every Create asset.
$1,950 for a full day. Six hours on site. Everything above plus B-roll of the room, audience, arrival and handshakes, and audience testimonial filming. The promo is noticeably better with it.
Travel is billed separately at cost and quoted before you commit. No surprise invoices. Most events are in major cities and travel rarely comes up at all.
These are founding rates, held for our first ten clients in exchange for a recorded testimonial at the end.
Most events say yes, especially when asked early. Organizers understand you're building a business, and plenty of speakers write their own videographer into their speaking contract.
We handle that conversation for you, so you're never the one asking. And if the venue blocks it after you've paid, you get a full refund or we move it to your next event. Your call.
Full money-back guarantee. We'll walk through exactly what that covers on the call.
Underneath it: unlimited re-cuts for 30 days. If the shoot missed our standard, we re-shoot at our cost. That's the layer that means nobody ever has to reach for the first one.
That changes with one forwarded email.
I'm Ready To Be SeenFull money-back guarantee. Plus unlimited re-cuts for 30 days, and if the shoot misses our standard we re-shoot at our cost.